Vacated Landscape

An editor at a Parisian publishing house receives a manuscript by someone calling himself Desiderio—a manuscript that bears an eerie (though vague) resemblance to his own life and to a book he was planning to write on a Renaissance painter of the same name. He decides to use his vacation time to visit the place from which it was sent—the quaint, historical seaside town of V.—and believes he has identified the author/sender: one Jean Morelle, himself a tourist, who disappeared the very day the manuscript was mailed. The narrator decides to play amateur detective and track down Morelle, unaware that as he becomes more deeply enmeshed in the mystery, the streets of V. will bend around him like a Möbius strip to form a loop that seems to offer no escape.

A portrait of obsession, Vacated Landscape is both ingeniously fractal, with sentences that are tiny scale models of the larger narrative, and exuberantly byzantine, full of long parentheticals and odd circumlocutions that form a tantalizing labyrinth that sits somewhere between Nabokov’s The Real Life of Sebastian Knight and Kafka’s The Castle.